Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”

Life lessons on two wheels to the tunes of the

Grateful Dead

Robert Hall Weir, né Parber,

October 16, 1947 – January 10, 2026

Let the words be yours, I’m done with mine.

 

 

I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.

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Is there anything a man don’t stand to lose

I was first exposed to bigotry at the age of five when my family unwittingly became the only Jewish residents of what proved to be a passionately anti-Semitic neighborhood in St. Louis Park, Minnesota, a suburb of Minneapolis. The year was 1960, and the hateful echoes of the Holocaust were still plainly audible, particularly among the already settled Scandinavian and Protestant Anglo-Saxon population, which made no effort to conceal their displeasure at the significant influx of Jewish families to the Twin Cities.

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Believe it if you need it

Let’s start this week’s installment with a quick question: What do Quentin Tarrantino and the Grateful Dead have in common? The answer is that they are both acquired tastes. The first time I saw the movie, Pulp Fiction, I literally got up and walked out (probably during the scene in the basement of the pawn shop, but I can’t exactly recall). But over the years, Pulp Fiction has become one of my favorite movies of all time, and whenever a new Tarrantino’s film is released I rush to see it. Similarly, the first time I listened to the album, American Beauty, I just didn’t get it.

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This Week in Grateful Dead History: Week 52 – December 27, 1987The kids they dance and shake their bones

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The kids they dance and shake their bones

The enduring and ever-increasing popularity of the Grateful Dead – even more than a quarter century after their last concert on July 9, 1995 – has often been attributed to the prominent role the band played in the anti-establishment movement of the ’60s. As the icon of a new generation that represented an alternative to the greed and corruption of the mainstream culture, the Dead truly were “a band beyond description.”

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 33th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. Stew lives in Boulder, CO with his wife of 26 years. He has two daughters and two grandsons.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo