Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 39 – September 22, 1991
The bottle was dusty
The Deadhead Cyclist was recently the special guest on the Deadhead Cannabis Show, and I was asked, “What was your favorite period in Grateful Dead history?” The timing of this question was particularly interesting, as just the day before the interview I was listening to the 9/22/91 show from the Boston Garden, while riding my favorite trails in the foothills just west of my home in Boulder, CO. This show is truly a gem, and I had already decided to make it my pick for T.W.I.G.D.H., making the prospect of a response a bit trickier than it might have been otherwise.
This Week in Grateful Dead History: Week 1 – December 31, 1978
The storyteller makes no choice
The Grateful Dead were famous for their New Year’s shows, and played twenty-one times at the stroke of midnight on December 31, at six different venues, all in the Bay Area. Six of those shows took place at the Winterland Ballroom, an erstwhile ice skating rink which became a storied rock music venue with a capacity of some 5000. Sadly, Winterland was shuttered in 1979, but not until one final concert had taken place. For reasons ranging from its eight-hour length, to the line-up that included the Blues Brothers and the New Riders of the Purple Sage, to the almost-six-hour DVD – The Closing of Winterland – that was made to commemorate the event, this was easily the most famous of the Dead’s New Year’s shows, and the Deadhead Cyclist’s choice for T.W.I.G.D.H., as well as the best New Year’s Eve show of all time.
This Week in Grateful Dead History: Week 6 - February 5, 1989
I will take you home
I became a Deadhead in 1973, during the Keith and Donna era, and was deeply saddened when they left the band in 1979. Keith Godchaux was a phenomenally talented pianist, and to this day I love listening to his mostly understated playing on so many wonderful ’70s recordings. My first show with “the new guy” on keyboards was 10/19/80 at San Francisco’s Warfield Theater, and I was immediately impressed with the skill Brent Mydland displayed on keyboards, but even more so with his vocal contributions. While I understand, but never shared, the widespread antipathy felt by many Deadheads toward Donna Jean Godchaux, Brent’s arrival served to transform the Grateful Dead from a band that was often barely tolerable vocally to one that could really sing.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo