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by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 50 – December 7, 1971
We used to play for silver
The term, “Golden Age,” has been used liberally throughout history to describe certain idyllic periods of outstanding human achievement. Originating in Greek Mythology, particularly in the writings of Hesiod and Homer in the 7th and 8th centuries, B.C.E., this label has resurfaced numerous times when a specific art, skill or activity was considered to be at its peak.
This Week in Grateful Dead History: Week 5 - January 30, 1978
Lazy Lightning
A quick review of the Grateful Dead’s 30-year performance schedule reveals a glaring “asterisk” next to the year 1975. Sandwiched in between 40 shows in ’74 and 41 in ’76 – and with an average of almost 77 concerts per year over their entire history – the mere four appearances the band made during their hiatus in ’75 represented a significant challenge for the Deadicated.
This Week in Grateful Dead History: Week 6 - February 5, 1989
I will take you home
I became a Deadhead in 1973, during the Keith and Donna era, and was deeply saddened when they left the band in 1979. Keith Godchaux was a phenomenally talented pianist, and to this day I love listening to his mostly understated playing on so many wonderful ’70s recordings. My first show with “the new guy” on keyboards was 10/19/80 at San Francisco’s Warfield Theater, and I was immediately impressed with the skill Brent Mydland displayed on keyboards, but even more so with his vocal contributions. While I understand, but never shared, the widespread antipathy felt by many Deadheads toward Donna Jean Godchaux, Brent’s arrival served to transform the Grateful Dead from a band that was often barely tolerable vocally to one that could really sing.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo