Life lessons on two wheels to the tunes of the

Grateful Dead

Robert Hall Weir, né Parber,

October 16, 1947 – January 10, 2026

Let the words be yours, I’m done with mine.

 

 

I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.

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Other Posts

This Week in Grateful Dead History: Week 1 – December 31, 1978The storyteller makes no choice

This Week in Grateful Dead History: Week 1 – December 31, 1978

The storyteller makes no choice

The Grateful Dead were famous for their New Year’s shows, and played twenty-one times at the stroke of midnight on December 31, at six different venues, all in the Bay Area. Six of those shows took place at the Winterland Ballroom, an erstwhile ice skating rink which became a storied rock music venue with a capacity of some 5000. Sadly, Winterland was shuttered in 1979, but not until one final concert had taken place. For reasons ranging from its eight-hour length, to the line-up that included the Blues Brothers and the New Riders of the Purple Sage, to the almost-six-hour DVD – The Closing of Winterland – that was made to commemorate the event, this was easily the most famous of the Dead’s New Year’s shows, and the Deadhead Cyclist’s choice for T.W.I.G.D.H., as well as the best New Year’s Eve show of all time.

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This Week in Grateful Dead History: Week 2 – January 10, 1978I’ll get a new start

This Week in Grateful Dead History: Week 2 – January 10, 1978

I’ll get a new start

As we established last week, our essential human nature as storytellers is one coin with two sides to select from. On the “tails” side are the stories we must beware of for their harmful potential: those that are tainted with negative judgments and deceptions that infect our beliefs in ways that lead us to act wrongfully. Fortunately, on the “heads” side is a clean slate upon which we can write stories of inspiration that can shepherd us in the direction of our highest selves. Choosing wisely on which side to pitch your tent is as much a key to success in this life as any I have found.

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This Week in Grateful Dead History: Week 52 – December 27, 1987The kids they dance and shake their bones

This Week in Grateful Dead History: Week 52 – December 27, 1987

The kids they dance and shake their bones

The enduring and ever-increasing popularity of the Grateful Dead – even more than a quarter century after their last concert on July 9, 1995 – has often been attributed to the prominent role the band played in the anti-establishment movement of the ’60s. As the icon of a new generation that represented an alternative to the greed and corruption of the mainstream culture, the Dead truly were “a band beyond description.”

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 33th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. Stew lives in Boulder, CO with his wife of 26 years. He has two daughters and two grandsons.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo