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by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 33 - August 13, 1975
It’s fireworks, calliopes and clowns
As we reach the week following the “Days Between” (the period from Jerry Garcia’s August 1 birthday through his August 9 passing), one can’t help but be struck by the enduring nature of the Grateful Dead. More than 50 years have gone by since the band’s first performance under the name, “Grateful Dead,” and almost half of that period has passed since their final performance on July 9, 1995. And yet, quite literally, the “music never stopped.” What is it about the Grateful Dead that has captivated millions the world over from multiple generations over the course of more than a half-century?
This Week in Grateful Dead History: Week 30 - July 22, 1984
Let your life proceed
Free will versus fate. The debate is as fundamental as any other in the realm of human existence, and has been taken up by many of the great philosophers throughout recorded history. Aristotle (385-382 B.C.E.) said, “The man is the father of his actions as of children”; Augustine (355-430) tipped the scale in the other direction with his belief that all things are determined in some manner by God; Thomas Aquinas (1225–1274) believed in free will conditionally: “A man has free choice to the extent that he is rational”; René Descartes (1596-1650) suggested that free will lies in our thoughts: “Except our own thoughts, there is nothing absolutely in our power”; and more recently, Nobel Prize winning author Isaac Bashevis Singer (1902-1991) humorously claimed, “We must believe in free will, we have no choice.”
This Week in Grateful Dead History: Week 45 – November 7, 1987
Maybe you’ll find direction
Flying surprisingly under the radar, the Grateful Dead released a wonderful video in ’87, called So Far. In addition to the exceptional sound quality, what is so unique about this film is the way in which realtime onstage recordings, sans audience, are interwoven with actual concert footage, in seamless transitions that are goosebump inducing at the pivotal moments. Given that the Dead’s identity was far more connected to the live concert experience than the traditional studio recording model, it is fitting that the band employed this technique of simulating a live experience, while maintaining the kind of quality control that is possible only in a studio setting.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo