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by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 4 - January 22, 1978
One man gathers what another man spills
The often mysterious role music plays in human consciousness is a subject of great interest to scientific researchers and everyday music lovers alike. Studies have repeatedly demonstrated a link between music and our emotions, suggesting that there is great therapeutic value in the way music can move us.
This Week in Grateful Dead History: Week 31 - July 31, 1974
All I leave behind me
Each year as the calendar turns from July to August, Deadheads are confronted with both Jerry Garcia’s birthday (August 1) and the anniversary of his death, in 1995 (August 8). This one week period is commonly referred to as the “Days Between,” after a song by the same name that was written by Garcia and his legendary songwriting partner, Robert Hunter. The tune was to have been recorded for a studio album that the band began working on in ’92, that was never finished.
This Week in Grateful Dead History: Week 21 - May 22, 1977
My time coming
During the ’70s, a member of the Grateful Dead family, Dick Latvala, heard “them voices,” and began collecting recordings of Grateful Dead shows. But unlike the rest of us Deadheads who built private stashes of concert tapes as a hobby, Latvala felt compelled to make a career of it. He maintained a catalogue of his ever-growing collection that went far beyond the set list, including such details as the date and venue, who made the recording, what equipment was used, and extensive personal critiques of the performances.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo