Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 19 - May 8, 1977
Take a step back
Accepting the premise that Spring ’77 was the apex of the Grateful Dead’s history, which one of the 30 shows the band performed during that period was the climax of the tour? The third week of the tour – which included stops in Boston, Ithaca, Buffalo, St. Paul, and Chicago – may provide the answer, although choosing any one of these shows as the Dead’s best show of all time may be as futile an endeavor as trying to choose the most beautiful national park, the best full-suspension mountain bike, or the greatest athlete ever.
This Week in Grateful Dead History: Week 6 - February 5, 1989
I will take you home
I became a Deadhead in 1973, during the Keith and Donna era, and was deeply saddened when they left the band in 1979. Keith Godchaux was a phenomenally talented pianist, and to this day I love listening to his mostly understated playing on so many wonderful ’70s recordings. My first show with “the new guy” on keyboards was 10/19/80 at San Francisco’s Warfield Theater, and I was immediately impressed with the skill Brent Mydland displayed on keyboards, but even more so with his vocal contributions. While I understand, but never shared, the widespread antipathy felt by many Deadheads toward Donna Jean Godchaux, Brent’s arrival served to transform the Grateful Dead from a band that was often barely tolerable vocally to one that could really sing.
This Week in Grateful Dead History: Week 37 – September 12, 1988
Believe it if you need it
Let’s start this week’s installment with a quick question: What do Quentin Tarrantino and the Grateful Dead have in common? The answer is that they are both acquired tastes. The first time I saw the movie, Pulp Fiction, I literally got up and walked out (probably during the scene in the basement of the pawn shop, but I can’t exactly recall). But over the years, Pulp Fiction has become one of my favorite movies of all time, and whenever a new Tarrantino’s film is released I rush to see it. Similarly, the first time I listened to the album, American Beauty, I just didn’t get it.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo