Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 21 - May 22, 1977
My time coming
During the ’70s, a member of the Grateful Dead family, Dick Latvala, heard “them voices,” and began collecting recordings of Grateful Dead shows. But unlike the rest of us Deadheads who built private stashes of concert tapes as a hobby, Latvala felt compelled to make a career of it. He maintained a catalogue of his ever-growing collection that went far beyond the set list, including such details as the date and venue, who made the recording, what equipment was used, and extensive personal critiques of the performances.
This Week in Grateful Dead History: Week 44 – October 31, 1971
Searchlight casting for faults
Dia de los Muertos (Day of the Dead) is a holiday that commemorates the lives of beloved friends and family members who have passed on. Originating in ancient Mesoamerica (Mexico and northern Central America prior to the Spanish invasion and conquest in the 16th century), the two-day celebration takes place on November 1 and 2, and is said to reunite the living and dead.
This Week in Grateful Dead History: Week 52 – December 27, 1987
The kids they dance and shake their bones
The enduring and ever-increasing popularity of the Grateful Dead – even more than a quarter century after their last concert on July 9, 1995 – has often been attributed to the prominent role the band played in the anti-establishment movement of the ’60s. As the icon of a new generation that represented an alternative to the greed and corruption of the mainstream culture, the Dead truly were “a band beyond description.”
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo