Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 48 – November 24, 1979
The Wonders of Nature
There is one school of thought about the COVID-19 pandemic which suggests that we are all going to become infected with this virus at one point or another, and it seemed that my time had come. Ironically, it appeared that my buddy, Bill, and I had successfully dodged the Corona Bullet, as we were halfway through the final 800-mile drive back to Colorado, having played 34 games in six baseball tournaments in Arizona and Florida, spanning six weeks. Yes, we were about to slide into home plate, head first, with the winning run, our trusty mountain bikes safely secured behind my 4Runner, when my pick for T.W.I.G.D.H. (This Week in Grateful Dead History), the 11/24/79 Grateful Dead show from the Golden Hall Community Concourse in San Diego, was preempted with breaking news.
This Week in Grateful Dead History: Week 47 – November 22, 1985
Going to leave this brokedown palace
The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.
This Week in Grateful Dead History: Week 29 - July 18, 1976
The work of his day
After an interminable hiatus in 1975 (and by “hiatus” I mean 4 Dead concerts, numerous recording sessions, the release of the Blues For Allah album, and plenty of shows by Kingfish, Jerry Garcia and Merl Saunders, and the other splinter groups that performed that year), the boys (and the girl) finally hit the road for a summer tour in June of ’76. After 17 shows in Boston, New York, Passaic, NJ, Upper Darby, PA and Chicago, the summer revival continued with 6 wonderful shows at the 2200-seat Orpheum Theater in San Francisco. The last of these concerts, 7/18/76, was a clear choice for T.W.I.G.D.H.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo