Life lessons on two wheels to the tunes of the
Grateful Dead
This Week in Grateful Dead History
Week 1
I wish I was a headlight on a northbound train.
Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history.
Other Posts
This Week in Grateful Dead History: Week 22 - May 26, 1972
What’s to be found
Many have pondered the phenomenon by which a rock ’n’ roll band became a multi-generational movement that has spanned six decades. Even now, almost 25 years after the death of the “leader of the band,” Jerry Garcia, the enigmatic Grateful Dead experience is alive and well in the form of thousands of recordings, countless cover bands – most notably Dead & Company – and iconic images such as the “Truckin’ Fool,” from the Europe ’72 album.
This Week in Grateful Dead History: Week 3 – January 17, 1979
And the seeds that were silent
The Grateful Dead rarely toured during January, and understandably so. After their traditional year-end multiple night stands, the band was more inclined to grab some well-deserved “R & R” than to hit the road during the first few weeks of the year. One notable exception took place in ’79, when the Dead played nineteen shows throughout the East Coast and Midwest before returning home to punctuate the tour at the good old Oakland Coliseum. Along the way was an appearance with a unique story at Veterans Memorial Coliseum in New Haven CT, on 1/17/79, my choice for T.W.I.G.D.H. (This Week In Grateful Dead History).
This Week in Grateful Dead History: Week 47 – November 22, 1985
Going to leave this brokedown palace
The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo