Life lessons on two wheels to the tunes of the

Grateful Dead

This Week in Grateful Dead History

Week 1

I wish I was a headlight on a northbound train.

 

 

Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history. 

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Other Posts

This Week in Grateful Dead History: Week 28 - July 8, 1978Sometimes we live

This Week in Grateful Dead History: Week 28 - July 8, 1978

Sometimes we live

When a band has played more than 2300 shows, it’s hard to imagine that any one of them would achieve legendary status. But there are certain Grateful Dead concerts that firmly fit into that category. For starters there’s little disagreement that 5/8/77 at Cornell University’s Barton Hall would be on such a list; the 12/31/78 Closing of Winterland comes to mind; 2/27/69 at the Fillmore West – from which the epic, Side 1-long Dark Star on the Live Dead album was derived – would have to be included; the Great American Music Hall show on 8/13/75 is an obvious choice; 5/26/72 at London’s Lyceum Theater, the final date of the Europe ’72 tour, has been immortalized on the album of the same name; and more recently, the 12/15/86 show at the Oakland Coliseum arena – the Dead’s first performance in more than 5 months after Jerry Garcia collapsed in a diabetic coma on July 10 of that year and almost died – easily deserves such distinction.

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This Week in Grateful Dead History: Week 21 - May 22, 1977My time coming

This Week in Grateful Dead History: Week 21 - May 22, 1977

My time coming

During the ’70s, a member of the Grateful Dead family, Dick Latvala, heard “them voices,” and began collecting recordings of Grateful Dead shows. But unlike the rest of us Deadheads who built private stashes of concert tapes as a hobby, Latvala felt compelled to make a career of it. He maintained a catalogue of his ever-growing collection that went far beyond the set list, including such details as the date and venue, who made the recording, what equipment was used, and extensive personal critiques of the performances.

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There’s nothing you can hold for very long

There’s nothing you can hold for very long

Although there is some ambiguity as to the exact number of concerts the Grateful Dead played over the course of their 30-year history, it is well accepted that the figure is north of 2300. Of those, less than one-percent took place at the stroke of midnight on December 31 (22 to be precise). Statistics aside, the band’s New Year’s shows were nothing less than the stuff of legend.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 30th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. He plays a Martin D-41 in the band and sings lead and backup vocals. Stew lives in Boulder, CO with his wife of 23 years, Mari, and their 12-year-old dog, Bella.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo