Life lessons on two wheels to the tunes of the
Grateful Dead
This Week in Grateful Dead History
Week 1
I wish I was a headlight on a northbound train.
Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history.
Other Posts
This Week in Grateful Dead History: Week 31 - July 31, 1974
All I leave behind me
Each year as the calendar turns from July to August, Deadheads are confronted with both Jerry Garcia’s birthday (August 1) and the anniversary of his death, in 1995 (August 8). This one week period is commonly referred to as the “Days Between,” after a song by the same name that was written by Garcia and his legendary songwriting partner, Robert Hunter. The tune was to have been recorded for a studio album that the band began working on in ’92, that was never finished.
This Week in Grateful Dead History: Week 26 - June 26, 1974
Don’t lend your hand
As spring turns to summer, we bid a fond “fare thee well” to Spring ’77 and find several wonderful summer tours to continue our concert trip around the sun. It’s hard to go wrong with the Summer ’74 run of 18 shows, beginning on June 8 at the Oakland Coliseum and finishing on August 6 at Roosevelt Stadium in Jersey City, NJ. Among the many first-rate concerts of this tour, the June 26 show at Providence Civic Center in Providence, RI gets the Deadhead Cyclist’s vote for T.W.I.G.D.H.
This Week in Grateful Dead History: Week 47 – November 22, 1985
Going to leave this brokedown palace
The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo