Life lessons on two wheels to the tunes of the

Grateful Dead

This Week in Grateful Dead History

Week 1

I wish I was a headlight on a northbound train.

 

 

Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history. 

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Other Posts

All I Know

All I Know

The year was 1970, my junior year of high school at Loara High School in Anaheim, California. It was the day of the All Western Band Review, the biggest, most significant high school marching band competition in the state. We had been working towards this moment for months, since the summer when band practice began a full three weeks before the first day of school.

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This Week in Grateful Dead History: Week 49 – December 5, 1981I know this song, it ain’t never gonna end.

This Week in Grateful Dead History: Week 49 – December 5, 1981

I know this song, it ain’t never gonna end.

The Grateful Dead took perhaps their biggest step towards immortality when they were inducted into the Rock & Roll Hall of Fame, in 1994. But if there was a distinction for Most Unlikely Success Stories among the now-338 groups and performers that have been similarly recognized as of 2020, our beloved band of misfits would easily win, place or show. From their humble origins as a jug band (Mother McCree’s Uptown Jug Champions), to their pivot to a rock band, called The Warlocks, to their first show as the Grateful Dead on 12/4/65 in San Jose, CA at one of Ken Kesey’s “Acid Tests,” this was a band whose initial aspirations were more oriented towards survival than fame and fortune.

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This Week in Grateful Dead History: Week 7 - February 13-14, 1970All I said was, “Come on in.”

This Week in Grateful Dead History: Week 7 - February 13-14, 1970

All I said was, “Come on in.”

In 1974, around the same time I became a Deadhead, I came across a wonderful little book which made a permanent impression on me, called, “How to Make Your Life Work or Why Aren’t You Happy?” At the time, I found the central message in this book so compelling that I have retained it over several decades and used it as a life-guiding principle. This now-obscure book was a collaborative effort that featured the work of Ken Keyes (as opposed to Ken Kesey), a prominent countercultural figure, the author of 15 books (including the Handbook to Higher Consciousness) selling millions of copies, and the creator of the Living Love self-help system.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 30th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. He plays a Martin D-41 in the band and sings lead and backup vocals. Stew lives in Boulder, CO with his wife of 23 years, Mari, and their 12-year-old dog, Bella.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo