Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”

Life lessons on two wheels to the tunes of the

Grateful Dead

Robert Hall Weir, né Parber,

October 16, 1947 – January 10, 2026

Let the words be yours, I’m done with mine.

 

 

I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.

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This Week in Grateful Dead History: Week 41 – October 11, 1980Ripple in still water

This Week in Grateful Dead History: Week 41 – October 11, 1980

Ripple in still water

After 3 years at a high school in Anaheim, CA and 2 years at UCLA, my life had become as stagnant as the bumper-to-bumper traffic I found myself sitting in on the Santa Ana freeway during the fall of ’74, while waiting for my transfer to UC Santa Cruz to come through. Even against a backdrop of inexperience during the waning months of my teenage years, I had learned enough to allow intuition to lead the way in making my first big grownup decision: moving from Southern to Northern California. There is no way I could have anticipated the ripples this life-changing shift would create that are still being felt decades down the road.

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This Week in Grateful Dead History: Week 14 - March 28, 1981Left-hand monkey wrench

This Week in Grateful Dead History: Week 14 - March 28, 1981

Left-hand monkey wrench

For musicologist Michael Steven Hartman, music is a direct reflection of the rhythms of the universe and the lifeforms that inhabit it. While his interests in polyrhythmic and exotic percussion are plainly evident during the Drums and Space portion of any Dead concert, many Deadheads are unaware of the lifelong dedication Hartman, A.K.A. Grateful Dead drummer Mickey Hart, has shown in exploring the cosmic common thread that music, and particularly drumming, represents in human consciousness.

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This Week in Grateful Dead History: Week 2 – January 10, 1978I’ll get a new start

This Week in Grateful Dead History: Week 2 – January 10, 1978

I’ll get a new start

As we established last week, our essential human nature as storytellers is one coin with two sides to select from. On the “tails” side are the stories we must beware of for their harmful potential: those that are tainted with negative judgments and deceptions that infect our beliefs in ways that lead us to act wrongfully. Fortunately, on the “heads” side is a clean slate upon which we can write stories of inspiration that can shepherd us in the direction of our highest selves. Choosing wisely on which side to pitch your tent is as much a key to success in this life as any I have found.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 33th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. Stew lives in Boulder, CO with his wife of 26 years. He has two daughters and two grandsons.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo