Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 47 – November 22, 1985
Going to leave this brokedown palace
The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.
This Week in Grateful Dead History: Week 13 - March 23, 1974
Comic book colors on a violin river
A few weeks ago we explored the seemingly oxymoronic nature of Grateful Dead as a band name. “Upon scrutiny” we came to the conclusion that the words, “grateful” and “dead,” are not the strange bedfellows they appear to be, but actually complement each other to perfection if considered in the context of the psychedelic-inspired “ego death” experience the band and most Deadheads were engaged in during the Acid Test years (and, of course, well beyond). Still, if there were a Jeopardy category called, “Strange band names of the Sixties,” Grateful Dead would most likely be the “Daily Double.” And there are plenty of other band names that came out of that same period that appear to defy logic, regardless of how hard you try to spin them.
This Week in Grateful Dead History: Week 11 - March 9-10, 1981
A little bit further than you gone before
The 1968 Otis Redding tune, Hard To Handle, famously covered by the Grateful Dead in the late ’60s and early ’70s (and twice in 1981 with Etta James on lead vocals), featured the lyric, “Actions speak louder than words.” This contention is supported by researchers and scholars, dating back to Charles Darwin’s 1872 work of evolutionary theory, “The Expression of the Emotions in Man and Animals,” in 1872. In the present tense, conventional wisdom suggests that NVC (Non-Verbal Communication) accounts for as much as 70-percent of human communication.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo