Life lessons on two wheels to the tunes of the
Grateful Dead
This Week in Grateful Dead History
Week 1
I wish I was a headlight on a northbound train.
Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history.
Other Posts
This Week in Grateful Dead History: Week 44 – October 31, 1971
Searchlight casting for faults
Dia de los Muertos (Day of the Dead) is a holiday that commemorates the lives of beloved friends and family members who have passed on. Originating in ancient Mesoamerica (Mexico and northern Central America prior to the Spanish invasion and conquest in the 16th century), the two-day celebration takes place on November 1 and 2, and is said to reunite the living and dead.
All I Know
The year was 1970, my junior year of high school at Loara High School in Anaheim, California. It was the day of the All Western Band Review, the biggest, most significant high school marching band competition in the state. We had been working towards this moment for months, since the summer when band practice began a full three weeks before the first day of school.
This Week in Grateful Dead History: Week 28 - July 8, 1978
Sometimes we live
When a band has played more than 2300 shows, it’s hard to imagine that any one of them would achieve legendary status. But there are certain Grateful Dead concerts that firmly fit into that category. For starters there’s little disagreement that 5/8/77 at Cornell University’s Barton Hall would be on such a list; the 12/31/78 Closing of Winterland comes to mind; 2/27/69 at the Fillmore West – from which the epic, Side 1-long Dark Star on the Live Dead album was derived – would have to be included; the Great American Music Hall show on 8/13/75 is an obvious choice; 5/26/72 at London’s Lyceum Theater, the final date of the Europe ’72 tour, has been immortalized on the album of the same name; and more recently, the 12/15/86 show at the Oakland Coliseum arena – the Dead’s first performance in more than 5 months after Jerry Garcia collapsed in a diabetic coma on July 10 of that year and almost died – easily deserves such distinction.
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