Life lessons on two wheels to the tunes of the

Grateful Dead

This Week in Grateful Dead History

Week 1

I wish I was a headlight on a northbound train.

 

 

Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history. 

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This Week in Grateful Dead History: Week 30 - July 22, 1984Let your life proceed

This Week in Grateful Dead History: Week 30 - July 22, 1984

Let your life proceed

Free will versus fate. The debate is as fundamental as any other in the realm of human existence, and has been taken up by many of the great philosophers throughout recorded history. Aristotle (385-382 B.C.E.) said, “The man is the father of his actions as of children”; Augustine (355-430) tipped the scale in the other direction with his belief that all things are determined in some manner by God; Thomas Aquinas (1225–1274) believed in free will conditionally: “A man has free choice to the extent that he is rational”; René Descartes (1596-1650) suggested that free will lies in our thoughts: “Except our own thoughts, there is nothing absolutely in our power”; and more recently, Nobel Prize winning author Isaac Bashevis Singer (1902-1991) humorously claimed, “We must believe in free will, we have no choice.”

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This Week in Grateful Dead History: Week 46 – November 11, 1973How does the song go?

This Week in Grateful Dead History: Week 46 – November 11, 1973

How does the song go?

One of the most unique aspects of the Grateful Dead experience is the existence and ready availability of thousands upon thousands of recordings of concerts, studio sessions and other archival material. The band’s willingness – whether intentional or accidental – to allow their fans to freely record and share what virtually any other band would protect as copyrighted music, was either the luckiest or the most brilliant marketing strategy in the history of modern music. What the Dead may have lost in revenue from the sale of live concert material was easily eclipsed by the increase in ticket sales resulting from turning their devotees into promotional agents, replete with product samples that were self-produced and widely disseminated.

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This Week in Grateful Dead History: Week 29 - July 18, 1976The work of his day

This Week in Grateful Dead History: Week 29 - July 18, 1976

The work of his day

After an interminable hiatus in 1975 (and by “hiatus” I mean 4 Dead concerts, numerous recording sessions, the release of the Blues For Allah album, and plenty of shows by Kingfish, Jerry Garcia and Merl Saunders, and the other splinter groups that performed that year), the boys (and the girl) finally hit the road for a summer tour in June of ’76. After 17 shows in Boston, New York, Passaic, NJ, Upper Darby, PA and Chicago, the summer revival continued with 6 wonderful shows at the 2200-seat Orpheum Theater in San Francisco. The last of these concerts, 7/18/76, was a clear choice for T.W.I.G.D.H.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 30th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. He plays a Martin D-41 in the band and sings lead and backup vocals. Stew lives in Boulder, CO with his wife of 23 years, Mari, and their 12-year-old dog, Bella.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo