Life lessons on two wheels to the tunes of the
Grateful Dead
This Week in Grateful Dead History
Week 1
I wish I was a headlight on a northbound train.
Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history.
Other Posts
This Week in Grateful Dead History: Week 22 - May 26, 1972
What’s to be found
Many have pondered the phenomenon by which a rock ’n’ roll band became a multi-generational movement that has spanned six decades. Even now, almost 25 years after the death of the “leader of the band,” Jerry Garcia, the enigmatic Grateful Dead experience is alive and well in the form of thousands of recordings, countless cover bands – most notably Dead & Company – and iconic images such as the “Truckin’ Fool,” from the Europe ’72 album.
This Week in Grateful Dead History: Week 48 – November 24, 1979
The Wonders of Nature
There is one school of thought about the COVID-19 pandemic which suggests that we are all going to become infected with this virus at one point or another, and it seemed that my time had come. Ironically, it appeared that my buddy, Bill, and I had successfully dodged the Corona Bullet, as we were halfway through the final 800-mile drive back to Colorado, having played 34 games in six baseball tournaments in Arizona and Florida, spanning six weeks. Yes, we were about to slide into home plate, head first, with the winning run, our trusty mountain bikes safely secured behind my 4Runner, when my pick for T.W.I.G.D.H. (This Week in Grateful Dead History), the 11/24/79 Grateful Dead show from the Golden Hall Community Concourse in San Diego, was preempted with breaking news.
This Week in Grateful Dead History: Week 6 - February 5, 1989
I will take you home
I became a Deadhead in 1973, during the Keith and Donna era, and was deeply saddened when they left the band in 1979. Keith Godchaux was a phenomenally talented pianist, and to this day I love listening to his mostly understated playing on so many wonderful ’70s recordings. My first show with “the new guy” on keyboards was 10/19/80 at San Francisco’s Warfield Theater, and I was immediately impressed with the skill Brent Mydland displayed on keyboards, but even more so with his vocal contributions. While I understand, but never shared, the widespread antipathy felt by many Deadheads toward Donna Jean Godchaux, Brent’s arrival served to transform the Grateful Dead from a band that was often barely tolerable vocally to one that could really sing.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo