Life lessons on two wheels to the tunes of the

Grateful Dead

This Week in Grateful Dead History

Week 1

I wish I was a headlight on a northbound train.

 

 

Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history. 

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Other Posts

This Week in Grateful Dead History: Week 5 - January 30, 1978Lazy Lightning

This Week in Grateful Dead History: Week 5 - January 30, 1978

Lazy Lightning

A quick review of the Grateful Dead’s 30-year performance schedule reveals a glaring “asterisk” next to the year 1975. Sandwiched in between 40 shows in ’74 and 41 in ’76 – and with an average of almost 77 concerts per year over their entire history – the mere four appearances the band made during their hiatus in ’75 represented a significant challenge for the Deadicated.

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I wish I was a headlight

I wish I was a headlight

I don’t believe in aging. But before you misidentify me as a wingnut, “chronology change denier,” allow me to define the term “aging.” Within the context of aging as a biological fact, there is no “belief” involved. We all age and eventually die. That is an undeniable fact. However, there is more to “aging” than that. So, let’s drill down a little deeper, shall we?

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This Week in Grateful Dead History: Week 37 – September 12, 1988Believe it if you need it

This Week in Grateful Dead History: Week 37 – September 12, 1988

Believe it if you need it

Let’s start this week’s installment with a quick question: What do Quentin Tarrantino and the Grateful Dead have in common? The answer is that they are both acquired tastes. The first time I saw the movie, Pulp Fiction, I literally got up and walked out (probably during the scene in the basement of the pawn shop, but I can’t exactly recall). But over the years, Pulp Fiction has become one of my favorite movies of all time, and whenever a new Tarrantino’s film is released I rush to see it. Similarly, the first time I listened to the album, American Beauty, I just didn’t get it.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 30th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. He plays a Martin D-41 in the band and sings lead and backup vocals. Stew lives in Boulder, CO with his wife of 23 years, Mari, and their 12-year-old dog, Bella.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo