Life lessons on two wheels to the tunes of the
Grateful Dead
This Week in Grateful Dead History
Week 1
I wish I was a headlight on a northbound train.
Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history.
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This Week in Grateful Dead History: Week 19 - May 8, 1977
Take a step back
Accepting the premise that Spring ’77 was the apex of the Grateful Dead’s history, which one of the 30 shows the band performed during that period was the climax of the tour? The third week of the tour – which included stops in Boston, Ithaca, Buffalo, St. Paul, and Chicago – may provide the answer, although choosing any one of these shows as the Dead’s best show of all time may be as futile an endeavor as trying to choose the most beautiful national park, the best full-suspension mountain bike, or the greatest athlete ever.
This Week in Grateful Dead History: Week 18 - May 1, 1977
I don’t trust to nothing
As we continue our focus on the Spring ’77 tour, we run head-on into five shows at the Palladium in New York City, April 29 – May 4 (with a well-deserved night off on May 2). The 3000-capacity Palladium played a storied role in rock music history during the ’60s, ’70s, ’80s and ’90s, when the property was purchased by New York University and converted into a student residential hall, affectionately referred to as Palladium Hall.
This Week in Grateful Dead History: Week 28 - July 8, 1978
Sometimes we live
When a band has played more than 2300 shows, it’s hard to imagine that any one of them would achieve legendary status. But there are certain Grateful Dead concerts that firmly fit into that category. For starters there’s little disagreement that 5/8/77 at Cornell University’s Barton Hall would be on such a list; the 12/31/78 Closing of Winterland comes to mind; 2/27/69 at the Fillmore West – from which the epic, Side 1-long Dark Star on the Live Dead album was derived – would have to be included; the Great American Music Hall show on 8/13/75 is an obvious choice; 5/26/72 at London’s Lyceum Theater, the final date of the Europe ’72 tour, has been immortalized on the album of the same name; and more recently, the 12/15/86 show at the Oakland Coliseum arena – the Dead’s first performance in more than 5 months after Jerry Garcia collapsed in a diabetic coma on July 10 of that year and almost died – easily deserves such distinction.
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