Life lessons on two wheels to the tunes of the

Grateful Dead

This Week in Grateful Dead History

Week 1

I wish I was a headlight on a northbound train.

 

 

Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history. 

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Other Posts

This Week in Grateful Dead History: Week 31 - July 31, 1974All I leave behind me

This Week in Grateful Dead History: Week 31 - July 31, 1974

All I leave behind me

Each year as the calendar turns from July to August, Deadheads are confronted with both Jerry Garcia’s birthday (August 1) and the anniversary of his death, in 1995 (August 8). This one week period is commonly referred to as the “Days Between,” after a song by the same name that was written by Garcia and his legendary songwriting partner, Robert Hunter. The tune was to have been recorded for a studio album that the band began working on in ’92, that was never finished.

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This Week in Grateful Dead History: Week 3 – January 17, 1979And the seeds that were silent

This Week in Grateful Dead History: Week 3 – January 17, 1979

And the seeds that were silent

The Grateful Dead rarely toured during January, and understandably so. After their traditional year-end multiple night stands, the band was more inclined to grab some well-deserved “R & R” than to hit the road during the first few weeks of the year. One notable exception took place in ’79, when the Dead played nineteen shows throughout the East Coast and Midwest before returning home to punctuate the tour at the good old Oakland Coliseum. Along the way was an appearance with a unique story at Veterans Memorial Coliseum in New Haven CT, on 1/17/79, my choice for T.W.I.G.D.H. (This Week In Grateful Dead History).

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This Week in Grateful Dead History: Week 7 - February 13-14, 1970All I said was, “Come on in.”

This Week in Grateful Dead History: Week 7 - February 13-14, 1970

All I said was, “Come on in.”

In 1974, around the same time I became a Deadhead, I came across a wonderful little book which made a permanent impression on me, called, “How to Make Your Life Work or Why Aren’t You Happy?” At the time, I found the central message in this book so compelling that I have retained it over several decades and used it as a life-guiding principle. This now-obscure book was a collaborative effort that featured the work of Ken Keyes (as opposed to Ken Kesey), a prominent countercultural figure, the author of 15 books (including the Handbook to Higher Consciousness) selling millions of copies, and the creator of the Living Love self-help system.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 30th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. He plays a Martin D-41 in the band and sings lead and backup vocals. Stew lives in Boulder, CO with his wife of 23 years, Mari, and their 12-year-old dog, Bella.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo